ARTIST STATEMENT

I am a transdisciplinary artist working at the intersection of photography, collage, speculative fiction, and emerging technologies. My practice explores how stories—ancestral, imagined, and algorithmic—migrate across time, shifting between fact and fiction, memory and myth. I am particularly drawn to storytelling as a cultural technology: a system that not only encodes the past but also shapes our projections of the future.

My current work is future-facing, investigating the porous nature of time and the evolving roles of vision and memory in an era of machine perception. Remember the Future, my most recent project, comprises large-scale photographic collages that fuse archival imagery, generative AI, and staged photographs of embodied AI figures. These speculative companions inhabit desert landscapes that double as analogue Mars sites—liminal environments where past and future visually and conceptually collapse. Through these works, I explore how visual storytelling might extend into posthuman futures and how machines may come to participate in, or even inherit, our rituals of memory.

At the core of my practice are three thematic concerns:
— The life cycles of stories and their role in shaping identity and cultural memory across generations;
— The utility of fiction as a means of metabolizing complex or traumatic experience; and
— The nature of time, particularly as theorized through deep time and the block universe, which suggest time is not linear, but layered and coexistent.

My approach is grounded in both research and poetic speculation. I draw from media theory, posthumanism, and cultural history, as well as personal and inherited mythologies. My work asks what it means to remember in an age when memory and vision are increasingly shaped by machines—and what stories we will carry forward into futures still being imagined.